I return to the Mystery House


Somehow I knew that only special people could live in that old house. There were many clues: The complete absence of no-trespassing signs; the horse tracks; the lace curtains in the upstairs windows; the smoke from the kitchen chimney; the unpretentious elegance of the clutter; the not giving a hoot what people think; not living like other people live; an obvious reverence for the best of the past; an un-consumerist self-sufficient style with nothing bought from Lowe’s. Late this afternoon I met Gary (one of the two human residents), Abby (the horse), George (a cat), and Sam (George the cat’s brother and a fellow drop cat1. The lady of the house was not in.

Here is a link to my previous post about this house, when I saw it only from the road.

I had been on a photo-shooting expedition and had a lot of camera stuff in the car. I drove by on my way home, hoping to see someone outside. I was in luck. Gary was out back sawing firewood. I politely left my car on the side of the unpaved road, walked up the driveway, hailed the man who was cutting wood, and introduced myself to Gary.

“I’ve heard of you,” said Gary. I didn’t ask how or where, but it’s good to know that I’m notorious — at least with those with similar values. I stayed for more than an hour, and we had a very fine neighborly talk. Gary showed me the interior of the house. He introduced me to some of the animals. He showed me some of his projects. We talked about the neighborhood. The abbey is about two miles from Mystery House by road, but only about a mile and a half if you walk through the woods up Lynne Creek, which touches the abbey’s land as well as Gary’s.

I was wrong about the age of the house. It’s much newer than I thought, built in 1910. Though it was not an inn on the Great Wagon Road2, as I had imagined, it does sit right on the old wagon road. Gary knew much more about the exact path of the old wagon road than I did, including the place where the road crossed the Dan River, just downhill from Mystery House. Though the house wasn’t an inn, it also was not a farmhouse, as I had guessed. It was built by the family of Gary’s first wife. They had outside income, Gary said, and did not rely on farming for a living.

Inside, the kitchen, parlor, and downstairs hallway were cozy, with a wood fire going strong in a large steel stove. The parlor was decorated for Christmas. I saw a television, and a washer and dryer, but otherwise everything was completely old-fashioned and greatly reminded me of how my great uncle Barney’s house looked in the 1950s. Gary said that he and his wife consciously do their best to live the old way.

I remarked on the absence of no-trespassing signs and ventured a guess: “You don’t believe in that, do you?” I asked. Gary shook his head. He has the same attitude toward neighborliness and the openness of the land as the residents of the abbey. Gary knew far more about the local history than I do. He and his wife are members of the county historical society. I learned a lot from talking with him. We are true neighbors in the old-fashioned sense: We live on the same creek. We’d give anything to see the Dollar Generals going bankrupt because local people are creating their own economy.


⬆︎The parlor


⬆︎Gary and George on the front porch


⬆︎Abby


⬆︎Gary puts on Abby’s halter


⬆︎Abby wears Gary’s cap


⬆︎Abby and Sam

Watching Abby interact with Gary, I easily detected that he had raised her from a colt. They understand each other. Abby is confident and sociable. She let me kiss her nose. I told Gary that if he ever needs a horse-sitter to please let me know. Gary promised to ride Abby up the creek for a visit.


⬆︎Gary is building a stone cottage in his free time, behind the big house.


⬆︎Sam


⬆︎Gary also is building an Amish-style cart for Abbey to pull


⬆︎Sam ended up climbing inside my car.


1. Drop cat: An abandoned cat typically left near the home of someone who, it is suspected, will take it in and take care of it.

2. Great Wagon Road: During American colonial days, a major wagon highway from Pennsylvania to Georgia. See the Wikipedia article.


Architectural history: Some biodegradable, some not



Click here for high-res version

My county, Stokes County (North Carolina), is a county of rolling hills and forest, with a few small and picturesque mountains, in the foothills of the Blue Ridge Mountains, which of course are a part of the Appalachian chain. Stokes was never a prosperous county. There were a couple of big plantations (Hairstons and Daltons), but most people lived by subsistence farming, with tobacco as the cash crop. Though Stokes County now is in the middle of nowhere, during the American colonial days, and into the 19th Century, one of the most important roads in the colonies passed right through here, just over the southeast ridge near the abbey. That was the Great Wagon Road from Pennsylvania to Georgia, used by armies and by George Washington. When I drive down Dodgetown Road on the way to Whole Foods in Winston-Salem, I am on the Great Wagon Road. Ken’s jogging circuit includes the Great Wagon Road.

The house in the top photo mystifies me. It sits on a hill just above the Dan River, very near the place where the Great Wagon Road crossed the river, two miles from the abbey. It’s too elegant to be a farmhouse. There were few, or no, rich farmers here other than the plantations. My theory is that this house was an inn on the Great Wagon Road. I may be deceiving myself, but I suspect that the house is that old. I’ve sent an email to a friend who is president of the county historical society. I’m guessing that she will know the house’s history.

What’s remarkable is that the house is still lived in. Most of the old wood-built farmhouses were long ago abandoned to rot and have fallen down, along with their beautiful old barns and outbuildings (which I remember from my childhood). But at this old house, there was smoke coming from one of the chimneys this afternoon. There are lace curtains in the upstairs windows. There are horse tracks on the unpaved road in front of the house, and the adjoining pastures are clearly in use. There are no no-trespassing signs, but there is a makeshift drop-down gate made of a hand-hewn log over the driveway. This fascinates me. Someone is still living the old lifestyle. I am determined to find out who they are and what their story is.

On the East Coast of the United States, timber was (and still is) plentiful. There was little reason to build with stone when wood was so much cheaper. The downside of that is that we lose our architectural history so much quicker. Buildings rot away soon after the roofs fail. The old house above has an old, and possibly its original, galvanized steel roof, but the roof looks to be in good shape. I believe galvanized steel was invented in 1836, though I don’t know when it became available in this area.

The stone construction in the lower photo is an iron furnace. It’s at Danbury, about five miles from the abbey, right beside the Dan River. It was in service during the Civil War days, casting munitions. It also produced iron bars and such for the use of blacksmiths. Not a stone has fallen, as far as I can tell. Early Americans knew how to work with stone, but usually they didn’t. Even when they eschewed wood as a building material, they used brick, as at Thomas Jefferson’s Monticello and in colonial towns such as Williamsburg (Virginia) and Salem (North Carolina). Still, wooden buildings can last a long time if their roofs don’t fail.

People who know some local history ask me how I (my last name is Dalton) am related to the Daltons of the Dalton plantations here. The answer is that I am not descended from those Daltons but that we are all descended from the same line of Virginia Daltons. (It always amuses me to type that, because my mother’s name was Virginia Dalton.)

My eighteen years in San Francisco were great. But I love living in the middle of nowhere, in the woods, as good a place as any in the U.S. that suburbanized modernity has passed by.

The Fate of Rome



The Fate of Rome: Climate, Disease, and the End of an Empire, by Kyle Harper. Princeton University Press, 2017. 418 pages. ★★★★★


This book is an extraordinary piece of scholarship. It’s also a demanding and dense read. Kyle Harper retells the story of Rome, adding new findings that were not available until relatively recently. We owe these new findings to the work of archeologists and to scientists working to understand the history of diseases (especially plagues and pandemics) and the history of earth’s climate.

Earlier histories tried to understand the fall of Rome solely from a political perspective. But Harper shows that plague after plague was an important part of the story. We also know now that the rise of Rome occurred during a “climate optimum” in the Mediterranean. But the optimum didn’t last. Volcanoes are part of the story, too, as well as solar output and Atlantic currents. By the time of the last emperor, a little ice age had set in.

Harper agrees with Bryan Ward-Perkins, whose book I reviewed some years ago, that the fall of Rome was not a rational and smooth “transformation,” an idea that was fashionable with some academics for a while. Rather, as Ward-Perkins argues, the fall of Rome was a catastrophe from which Europe did not recover for centuries. Harper’s book is much longer and more detailed than Ward-Perkins’, and Harper’s account is more about a series of catastrophes and recoveries rather than a final fall. Rome was very resilient, and time and again the empire recovered from plague, famine, and war. But ultimately Rome collapsed, first in the west and then in the east. The only winner was the church, which was able to partly fill the vacuum left by Rome.

In many ways, this book is a companion to the last book I reviewed here, James C. Scott’s Against the Grain. Both books contain details that put a lot of light on how the ancients lived — not just the powerful, but also the little people — slaves, soldiers, traders, bureaucrats, travelers, seamen. The book looks toward Asia, and the importance of Roman trade with India via the Red Sea. And the book looks north and east, to Goths, Visigoths, Vandals, and Huns. Some of this detail is so colorful that I long for stories. There is so much history to be mined by novelists and screenwriters. Yet again and again our storytellers write the same old suburban dramas. Why don’t we take a hint from Shakespeare? How many of Shakespeare’s plays were set in Shakespeare’s here and now?

Books like this, I think, are important references to keep on the shelf for years to come. I’m tempted to buy the Kindle edition in addition to the hardback, so that the book would be searchable. If I have a complaint about this book, it’s the quality of the maps. The maps are in black and white. The maps are rudimentary, and they are terrible. Get yourself some good maps of the ancient world before you read this book. In addition to the history, you’ll also learn a lot of geography.

La saison des camélias


The abbey’s camélias have have reached above the roof line. It’s time for pruning, I think.

The bee was working the camélias at 42 degrees F.

And yes, when I think of camélias I always think of La Dame aux Camélias by Alexandre Dumas the younger, which, before my French started getting rusty, I read in French along with the elder Dumas’ Le Comte de Monte-Cristo. Compared with his father’s work, the younger Dumas’ writing reads like juvenilia. Yet the story is strangely compelling and hauntingly moody. Giuseppe Verdi turned the story into an opera — La Traviata.


Against the Grain



Against the Grain: A Deep History of the Earliest States, by James C. Scott. Yale University Press, 2017. 312 pages.


Why did human beings abandon their hunter-gatherer livelihoods, build the first towns and cities — and therefore create the first governments? This book uses new findings from archeology, epidemiology and climatology that may radically change our views on this radical period in human history that completely upset how we live as human beings.

The long-prevailing view was that farming and sedentary human communities were a great advance in human wellbeing and comfort that led to rapid advances in human cultures. But maybe not. Farming and pasturing actually were harder work than hunting and gathering and took more time and labor. Crop failure and famine were frequent. Sedentary people were sitting ducks for raiding. The greater density of people and domesticated animals, not to mention their wastes, brought all sorts of new diseases and epidemics. The diets of sedentary people were far less varied. Settled people weren’t nearly as healthy as hunter-gatherers. Grain was easily taxed. Elites arose to lord it over the peasants. Walls were built not just to keep raiders out but also to keep the peasants in. People actually liked their hunter-gatherer lifestyles and did not necessarily take up farming eagerly. Slavery was already well known, but slave labor was especially needed to keep the towns and cities running. If a town went bust (as frequently happened), the survivors would return to hunting and gathering. The move from wild to domesticated living was not a sudden and permanent switch. There was a lot of back and forth for centuries.

The only environments that were rich enough to support the early towns and cities were the mouths of rivers where the rivers slowed and spread into alluvial plains where the soil was enriched by siltation. Water was plentiful and provided transportation as well as irrigation. But all sorts of things could go wrong — floods, droughts, war, epidemics, environmental degradation and soil exhaustion, and natural changes in the climate. It was a risky, dangerous life. Child mortality was easily 50 percent.

The author has so much to say about taxation and the oppression of states that I was afraid I was being set up for a libertarian message. That did not happen. Scott, who is at Yale, is too good a scholar for that.

Part of the beauty of this book is that it sheds so much new light on how our Paleolitic and Neolithic ancestors lived. Their lives were not unappealing! They were free, they were bigger and healthier than city people, and most of them preferred a wild life to a life as a domesticated human, which was not all that different from the life of a domesticated animal. When cities and their governments squeezed the people too hard, people would often flee back into the wild. Returning to the frontier, Scott points out, was easier than revolution.

The sad thing is that, today, we have run out of wildness and frontiers. We are all domesticated now. We all are subjects of states. Though it’s terrain that this book is not concerned with, nevertheless these two opposites — wild vs. domesticated — beg some thought experiments. How can we do as much for ourselves as possible and disengage as much as possible from domestication and corporatization? To our overlords — who are now stronger and richer than they have been in a hundred years — we are just livestock. They exploit our surplus. They abhor us, but they also are afraid of us because we outnumber them and we are the source of their wealth and power. In that sense, nothing has changed in 10,000 years.

Let’s just talk about the truck



The flag on the back is the Christian flag, which is commonly flown in King, North Carolina. Also note the bumper stickers in the lower photo.


We could talk about why a surplus military vehicle belonging to the Pfafftown (North Carolina) militia, a right-wing paramilitary group, showed up at the polling place for the Nov. 7 municipal elections in King. We could talk about how, in the previous two elections in King, assault charges have been filed because of encounters between members of the conservative majority and the liberal minority. We could talk about how Republicans and churchgoers are upset because an atheist is running for the King town council. We could talk about how it’s part of my duty, as a local political operative, to be concerned about what happens at the polls on election days. But let’s don’t talk about any of that. I’m burned out on tomfool right-wing drama. Let’s talk about the truck instead.

Because I’m a nerd with a Y chromosome, I find these trucks fascinating, just as cool machines. It happens that, only a couple of months ago, in writing book 3 of the Ursa Major series, I needed a truck like this for a fictional military operation. I had never seen such a truck, so I had to do some research on military vehicles. I never just make stuff up, when stuff must correspond to reality! I do whatever research is necessary. I found the army’s operator’s manual for the truck, which is 452 pages long. I admit without shame that it was fascinating reading, and that the truck almost becomes a character in the novel, the way Jake’s Jeep did in book 1, Fugue in Ursa Major.

I believe the truck in the photo is an M923A2 dropside cargo truck. These trucks come in about 30 different configurations, including dump trucks, wreckers, and vans. It has a Cummins diesel engine, all-wheel drive, and all sorts of cool features that harden it for military use. If you like fine machines (from aircraft to communications apparatus), you’ve got to love military specs.

The driver said he bought this truck for $10,000 a few years ago. I’m sure he drives it to church and to watch people vote. But I shudder to imagine where else.



Umberto Eco



Sean Connery and Christian Slater in “The Name of the Rose”


The Name of the Rose, Umberto Eco, 1980. English translation 1983.


What? I’m reviewing a book that was first published 37 years ago? Oh well. No one ever accused me of being au courant.

I have tried several times in the past to read Umberto Eco’s The Name of Rose, as well as Foucault’s Pendulum. I have always been driven back by the dry wordiness of Eco’s prose. This time I resolved to finish The Name of the Rose no matter how big a chore it might be, partly as an exercise in better understanding why some writers earn far more generous reputations than they deserve.

First, let’s talk about the film, from 1986. Directed by Jean-Jacques Annaud and with a superb cast including Sean Connery, F. Murray Abraham and the young Christian Slater, the film — I thought, at least — was one of the best and most memorable films of the 1980s. But the film didn’t make much money in the United States, though people in more intelligent parts of the world loved it. Roger Ebert wrote, “What we have here is the setup for a wonderful movie. What we get is a very confused story.”

I don’t agree with Ebert. The screenwriters actually did a brilliant job of stripping out most of Eco’s confusion, endless declamation and disquisition, and sticking to the plot — your basic murder mystery. It was said that Eco didn’t much like the screenplay, precisely because all that erudition got cut (as it had to be).

Eco was a scholar — no doubt a good one — with a wide range of interests. The Name of the Rose drew on his background as a medievalist. Obviously Eco was fascinated by the theological debates of the late medieval period. Also obviously, the setting and the plot for The Name of the Rose were chosen because they provided a basis for page after page of theological hairsplitting by monks of different orders. To Eco’s credit, these endless orations on Christian theology can be funny in their absurdity, and Eco leaves it to the reader to discern what fools his monks are. William of Baskerville, however, is at least a nice fool. And his teenage novice Adso (Christian Slater), with his naiveté and surging hormones, is a very fine foil for so much useless learnedness.

(Incidentally, the chief subject of Eco’s theological debate is whether Christ was poor. The Franciscan order certainly believed in the poverty of Christ, and they got crossways with some popes and with the Inquisition. If you’re interested in the details of all that, I’ll leave you to read The Name of the Rose. But it is worth pointing out, I think, how the church is still divided by the question of poverty, with a few Christians remaining who actually care about the poor, and with other Christians giving their money to birdbrain preachers who live in multimillion-dollar mansions like little popes and fly around on the Lord’s business in private jets. If this history repeated itself, then Christians who care today about the poor would be burned at the stake.)

But what I conclude about Umberto Eco is in many ways similar to what I conclude about Neal Stephenson, the science fiction writer. Both, I would guess, are somewhere well along on the autism spectrum. Both are fine thinkers — but without the least trace of feeling. Stephenson, like Eco, set one of his novels in a monastery (Anathem) and for the same reason — so that their characters can talk, talk, talk about abstractions that they find interesting. But their characters, like the authors, totally lack feeling. I also would argue that the best moments in fiction occur when a character is so driven to despair or ecstasy that the character is compelled to sing. When an author sings, that’s when you learn what motivates the author to write in the first place. For a fine discussion on moments in fiction that sing, see E.M. Forster’s Aspects of the Novel.

In any case, with writers like Eco and Stephenson, one of the most powerful and meaningful ingredients of good fiction is totally missing. Both Eco and Stephenson are so blind to the feeling element of fiction that they seem unaware of the flatness of their characters and make no attempt to simulate the missing ingredient. Adso knows how to suffer some where sex is involved, but Adso cannot sing.

That said, I love brainy fiction — Isaac Asimov, for example. I have great respect for (and considerable interest in) the erudition to be found in Neal Stephenson’s and Umberto Eco’s novels. But it’s not enough, and that’s a shame.

Why is linguistics so rarefied?


I think a lot about language. I often have questions about language that are very difficult to find answers to. That’s not true of most sciences. If I have a question about physics (insofar as there are answers to questions about physics), I can find an answer in no time. (As a science fiction writer, I often have questions about physics.) In Oratorio in Ursa Major, I have a character who is a linguist. The research for her character, and for some of the things she needed to say, was damnably difficult.

For an example of a pretty trivial linguistics question, I had been wondering why so many personal pronouns and possessive adjectives rhyme, at least in the three languages that I know something about:

English: Me, thee, he, she, we • mine, thine

French: Me, te, se • nous, vous • mon, ton, son • ma, ta, sa • notre, votre

Spanish: Nosotros, vosotros • nuestra, vuestra • tu, su

My first question would be, is this accidental? It doesn’t seem to be accidental. If it’s not accidental, why should this be?

In this particular case, I was able to find a pretty good answer by Googling. Googling led me to a book that contains a collection of papers from the 14th International Conference on Historical Linguistics in Vancouver in 1999. Google Books, as usual, provides only part of the book. The complete book can be bought for $156 (!). But a paper by Johanna Nichols from the University of California at Berkeley titled “Why ‘Me’ and ‘Thee’?” provided a pretty good answer. The answer is that, no, it’s not accidental. It’s also a feature of 152 languages that she compared.

The paper refers to these kinds of words as “lexical sets.” In lexical sets, rhyming, alliteration, and other sorts of vocal patterns (collectively called phonosymbolism) are repeated: Mama, papa.

As I understand her academic explanation for why this might be, it boils down to this: Lexical sets that rhyme or that are otherwise phonosymbolic appeal to people of all languages. Because it’s appealing, it spreads and becomes entrenched.

That makes sense to me, and I’ll consider the question answered.

But it’s also interesting to note that, compared with other fields (such as, say, anthropology) far fewer people get Ph.D.’s in linguistics. In my life, I have met only one Ph.D. in linguistics. That was someone in New York, the friend of a friend who is an anthropologist. (Do they all know each other so they can ask either other questions?) Also, most smaller liberal arts schools don’t even have linguistics programs. The list of universities with stellar linguistics programs is very short.

The downside of this for us lay folks and non-scholars is that linguistics is very nearly out of our reach. You’ll find almost nothing in your public library. Googling won’t get you very far. And though the books are out there, they are very, very expensive. One book I’d like to have, for example, is The English Language: A Linguistic History, from the Oxford University Press. It costs $110, and it takes Amazon two to four weeks to get it, which probably means that it has to be shipped from the U.K.

I’d kill for a friend who is a linguist. Unless I move to Amherst or Oxford or Palo Alto, that probably is not going to happen.

Preserving culture



Foxfire students interviewing Aunt Arie — photo by Foxfire Fund, Inc.

There are some strange ideas kicking around these days about what it means to preserve culture. But preserving culture is hard work and a labor of love.

Many, many people are doing this work. It involves books, books, and more books. It is being done with film and photography, with museums, with special events such as fiddlers’ conventions and food festivals, with archeology, and by scholars from many departments of the universities including linguists, historians, anthropologists, and even the music department.

Nor is white trash culture, or Southern culture, or Appalachian culture, being neglected. Far from it! It isn’t culture that white supremicists such as Peter Cvjetanovic seek to preserve. It’s privilege, injustice, and some sort of perverse notion of purity.

We might call the people who do the real work culture workers. And though preserving culture is a labor of love, there is so much demand for the products of culture workers that many people can make a living at it — scholars and writers, for example.

As I have argued in other posts, there is much that is sick in the conservative mind. They look to the past, but they look only to an arbitrary and falsely glorified moment in the past when their ilk were dominant. They selectively ignore the rest of the past. In doing so the conservative mind is blind to privilege and injustice and to the factors that rotted their moment of glory. I have no problem with statues, but the intention behind most statues is not to preserve culture. Rather, it’s to preserve glory.

Sic transit gloria mundi.

One of the things that bothers the dickens out of me is how disinterested many people are in preserving their own personal histories and their own family histories. Some may go so far as to sign up for Ancestry.com and try to build lists of their ancestors, working on line. But how many people bother to get to know great-aunt Matilda before she dies, ask her about what life was like eighty years ago, and then write it down? In most families, collective memory rarely extends beyond two or three generations.

If the white racist Peter Cvjetanovic actually knew any history, he would know that cultures have been melding together throughout human history. As for the moment he glorifies, he also would be sensitive to African-American history, to how African-Americans helped to build this country, and to how African-Americans still have not achieved their full and fair share of justice and equality. But conservatives don’t care about justice unless it involves punishing people they don’t like.

Preserving culture is work that all of us can and should do. Now that I’m retired and don’t have to work for a living, culture work really is my life’s work from now on.

Those who have read my novels know how concerned I am about the loss of pagan Celtic culture to Rome and to Rome’s predatory religion. The damage to Celtic culture was so severe that it was a genocide, actually. Our only means of reconstructing that culture is to absorb what exists in the written records, look at what archeologists have learned, and then use one’s imagination. Where lost Celtic culture is concerned, many writers are doing that.

I don’t plan to publish my memoir for many years, but 150,000 words of it is written. We all should write our memoirs. I was very flattered when Ken asked me if he could interview me and videotape it as an oral history. He did the same thing with his parents. He ended up with so much video that he wasn’t sure where to store it. That is the kind of work it takes to preserve history and culture. All kids have that capability now. All that’s needed is a smart phone that shoots video.

While open-minded people are actually doing this work, small minds are mistaking the preservation of hatred and privilege for the preservation of culture.

That photograph of Peter Cvjetanovic — holding a torch, his face contorted with hatred — has quickly become a cultural icon. It’s a photograph that will still give people the creeps a hundred years from now. Cvjetanovic has contributed to the cultural record, that’s for sure. But in the exact opposite of the way he intended.

Total eclipse


I saw the eclipse inside the zone of totality at Franklin, North Carolina. Franklin is in the Great Smoky Mountains and is inside the Nantahala National Forest. I was with two friends, and we turned it into a tailgate party followed by dinner in Asheville.

This was my second total eclipse, so I knew what to expect: roosters crowing (check), birds confused (check), and cold chills imagining how terrifying a total eclipse must have been for our early ancestors, who didn’t know what was happening. Some of the locals were trying to make money off the eclipse and were charging $30 for parking. We found our own place — a business that was closed, with two big shade trees in front. We trespassed there (politely), and no one seemed to mind. In fact two carloads of students from Charlotte, admiring our spot, stopped and asked if they could join us, and of course we said yes. There were people everywhere.

The traffic jams were epic. On the way from Asheville to Franklin, there were two severe traffic jams caused by fender-benders. The return trip to Asheville should have taken little more than an hour, but instead it was four and a half hours of stop-and-go bumper-to-bumper traffic. Still, everyone was patient and polite — no honking and no rudeness. Everyone seemed to be trying to make the best of it. Some people got out of their cars to share food and drink with friends they were traveling with. Stopped traffic is a bit spooky to me. It puts me in mind of conditions like those in the movie “War of the Worlds,” or zombie apocalypse movies (of which, for the record, I am not a fan).

We had reservations for dinner at the restaurant that is reputed to be the best in Asheville — the Admiral — but we had to call and cancel our reservations because we were so delayed. We ended up at the Storm restaurant in old Asheville.

A friend who watched the eclipse in Athens, Georgia (well outside the zone of totality), texted me this: “The light here was like I always imagined Lothlorien: golden but slightly dark around the edges, like early dusk except the sun was overhead, so it had this surreal quality. It was mildly mood-altering. Lovely.”

When I took the photo above, someone else was driving.