The enlightened past


Once upon a time, philosophers could find work with newspapers. There are no such people now. But, back then, Sydney J. Harris was such a person.

Harris (1917-1986) worked for the Chicago Daily News, and, later, the Chicago Sun-Times. For years, he wrote a column called “Strictly Personal,” which was syndicated in 200 newspapers. One of those papers was the Winston-Salem Journal, where I got my first job. When I was college age, not as much was said about liberals vs. conservatives. I only knew that I loved Harris’ columns. He was, of course, a liberal. I should mention that the insufferable William F. Buckley also had a newspaper column in those days, “On the Right,” which was syndicated in even more newspapers — 300. No doubt I read, or tried to read, some of Buckley’s columns, but I have no recollection of it. Buckley would have made no sense to me. His pomposity, and the turgidity of his prose, would have offended me, I’m sure, though Buckley left no lasting impression.

Harris’ columns, I now realize, were formative for me and helped me sort out the political turbulence of the late 1960s and the early 1970s. I think about Harris from time to time, as though he was a mentor. In a way, he was.

Unfortunately, Harris’ books are out of print. His reputation has not carried forward very well into the Internet era. As a kind of memorial, I would like to reproduce here two columns. Both of the columns are taken from the book The Best of Sydney J. Harris, which was published in 1975. Some of the columns, I believe, may go back as far as the 1950s.


We are not fit to colonize space

By Sydney J. Harris

A few days after our successful orbiting of the moon, a friend expressed the hope that this venture would teach people humility in the face of the universe.

“If this helps us realize how vast outer space is, and how small our globe is,” he said, “then it might make us all feel more united as inhabitants of this tiny speck of dust whirling in space.”

This would be a commendable lesson to learn, I agree, but I doubt that we would draw so philosophical an inference from the moon project. Rather, I suggested bleakly, it might lead us in the opposite direction.

Instead of regarding space exploration as a common effort binding mankind together, it is far more likely that we will simply extend our competitiveness from inner to outer space, and look upon the solar system as competing nations once regarded explorations on earth — as places to plant flags, to colonize, to use as economic resources and military outposts.

Unless we make some unexpected quantum jump in our thinking and feeling, we will simply extrapolate to other worlds the same greed and vanity, the same lust for possession and domination, the same conflict over boundaries and priorities throughout the solar system.

What is even more dire, we might also export the contamination of our planet, not merely in terms of wars and prejudices and injustices, but quite physically, in terms of bacteria and viruses and all the assorted pollutions of earth, air and water that are rapidly making our own globe nearly uninhabitable.

Nothing in our history, early or recent, indicates that we are not prepared to despoil other planets as carelessly and contemptuously as we have turned ours from green to gray, from fair to foul, from sweet to sour, in the countryside as well as in the cities — so that even sunny, snowy Switzerland has shown a 90 percent increase in smoke content and turbidity of the air in the last two decades.

We are no more morally or spiritually equipped to colonize other parts of the solar system — given our past level of behavior on earth — than a hog is fit to march in an Easter parade. Our technical genius so far outstrips our ethical and emotional idiocy that we are no more to be trusted to deal lovingly and creatively with another planet than a rhesus monkey can be allowed to run free in a nuclear power plant.

The astronauts are bold men, and the scientists who sent them up are bright men, but they are not the ones who will decide what is done once we get there. The same old schemers will be running the show.


Radical righters are fascists

By Sydney J. Harris

It’s an interesting peculiarity of our social order that while the term “communist” is flung around frequently and often carelessly, its opposite number, “fascist,” is hardly used at all.

In Europe, this is not the case. People have no hesitancy in speaking of the right-wing radicals as “fascists,” for this is what they are. To speak of them as “extreme conservatives” is a foolish contradiction in terms.

And it seems quite plain to me that there are many more fascists and fascist sympathizers in the United States than there are communists and their sympathizers — unless, of course, you care to adopt the fascist line and suggest that everyone who favors staying in the U.N. and retaining Social Security is a Red fellow-traveler.

We seem to be so exercised about communist influence in this country, which is negligible, both in numbers and in appeal to the American temper. Yet, year by year, one sees a fascist spirit rising among the people, although it is called by many other and softer names, and has even achieved a certain dubious respectability in some circles.

There is no reason why there shouldn’t be a fascist movement in this country; nearly every nation has one. But it should be called by its right name, and it should be willing to accept the consequences of its position, as the fascist parties do elsewhere.

It has no business masquerading as “Americanism” or “conservatism” or “patriotism,” when its whole philosophy of man is based on a hate-filled exclusiveness that would shock and affront the conservative American patriots who founded this country.

What is distressing about this movement is the tacit or open support given it by men who genuinely think of themselves as “conservatives,” and who do not understand the implications of right-wing radicalism any more than the German industrialists understood what would happen to them when Hitler swept into power with their support.

Just as Communism always begins with an appeal to “humanity” and “equality” and always ends with inhuman despotism, so does fascism always begin with an appeal to “nationalism” and “individualism,” and ends with a military collectivism far worse than the disease it purports to cure.

These twin evils are the mirror-image of one another. It would be the supreme irony if, in rejecting the blandishments of communism, we fell hysterically into the arms of fascism disguised (as always) as Defender of the Faith.


The Brontës: To Walk Invisible


For literature lovers, “To Walk Invisible” is a must-see. It’s a two-hour, two-part British production about the Brontë sisters, shown this spring in the U.S. on PBS and now available on DVD.

It is an extremely strange production, and it will give Brontë fans hours of arguing and brooding material. As far as I know, Juliet Barker’s massive tome of a biography of the Brontës (1994) remains the go-to biography. I have not read the entire book (it’s 1,004 pages, and I bought it years ago partly as a reference), but I have read much of it. Based on the Barker biography, I would have said that the chief feature of the sisters’ life in their Yorkshire parsonage would have been unremitting boredom relieved only by imagination. But “To Walk Invisible” shows the household in constant turmoil, a turmoil caused mainly by Branwell’s alcoholism and his overall dysfunction.

The casting is superb. How is it possible that Ireland and the British Isles go and and on producing such superb young actors and actresses? Is it their training? Normally I am quite good at following regional accents in the British Isles, but the northern accents in “To Walk Invisible” were a challenge, especially Emily’s, played by Chloe Pirrie, who is Scottish. Finn Atkins, who plays Charlotte, is English. Charlie Murphy, who plays Anne, is Irish. So I can’t vouch for the authenticity of their northern accents, but they sure threw me. If the dialogue is a problem, you can turn on English subtitles. Jonathan Pryce is a superb Patrick Brontë, and Pryce speaks a perfect Oxford-Cambridge English.

Whether or not Brontë scholars would give their seal of approval to the accuracy of the details of the events and dialogue and turmoil inside the Brontë parsonage (mostly I think they would not), this is a beautiful production. It also gets out onto the moors, dogs and all. Any telling of the Brontës’ story is going to be heartbreaking and heavy on pathos, in that they died far too young and far too unhappy. Only Charlotte lived long enough to enjoy her fame. But a part of appreciating the Brontë contribution to English literature is an appreciation of how badly they suffered to produce it.

Coming Dec. 15: The Last Jedi


Today Disney released a teaser for the next Star Wars Film, “The Last Jedi.” The film will be released Dec. 15.

It is thrilling to see Gwendolyn Christie cast in the new film. She is the 6’3″ British actress who plays Brienne in HBO’s “Game of Thrones.” It’s heartwarming to see new scenes with Carrie Fisher, who is now dead. She had already filmed her scenes before her death. It appears that we will return to Ireland’s Skellig Michael, one of the most magical places in the world.

Those of us who would curl up and die without stories are looking forward to Season 7 of “Game of Thrones,” which starts tomorrow. And looking forward to “The Last Jedi” should see us safely through til Christmas.


⬆︎ Gwendolyn Christie

This Land Is Our Land


Ken has completed his next book, and it is due at the publisher this week. The book is This Land Is Our Land: How we lost the right to roam and how to take it back. It will be released next April.

The book came about after Ken published a piece in the New York Times last year, “This Is Our Country. Let’s Walk It.”

Ken calls the book radical. But having read the manuscript two or three times, I would say that it’s radical only to those who hold, as Ken says, a despotic view of property rights. The book is scholarly but very readable (as Ken always is). It’s brilliantly researched and documented, with 575 footnotes. It is, in many ways, a book about the law. But it also imagines a future that I’m pretty sure the readers of this blog would like.

A Tales of the City revival


It had to happen, now that I think about it. Armistead Maupin let his Facebook friends know today that Variety has reported that Netflix is planning a remake of Maupin’s Tales of the City.

The books, which have sold more than 6 million copies, were first serialized in the San Francisco Chronicle and the San Francisco Examiner starting in 1978. Altogether, there were nine books in the series. There’s a list below.

Even in the early 1990s, Maupin’s books were almost too hot to touch by American television. Britain’s Channel 4 produced the first mini-series in 1993. The series was shown on PBS in 1994, but there were so many complaints about depicting San Francisco LGBT types in a positive light that PBS backed out of a second season. The series later moved to Showtime.

It was “Tales of the City” that made Laura Linney famous.

A revival of Tales of the City thrills me for a number of reasons. For one, I devoured all the books when they first came out. For two, I spent 18 extraordinary years in San Francisco, working at the same places where Maupin worked — at least before he became a rich and famous author and didn’t have to work anymore. It was at an Examiner Christmas party in 1998 that I finally got to shake Maupin’s hand and thank him for the beautiful stories that he brought into the world.

The sad thing, though, is that though Maupin invented an entirely new genre — stories about LGBT people in which they didn’t have to be miserable and die in the end — AIDS happened starting in the early 1980s, and of course Maupin had to write about that. It was a huge setback for LGBT literature, because suddenly the literature was once again about people being miserable and dying.

The books are extremely dated now, period pieces, almost kitschy. The 1990s productions would be very hard to watch now, even with the sterling performances of Laura Linney and Olympia Dukakis. But Netflix, I have no doubt, with Maupin looking over their shoulders, will find ways to bring the stories up to date so that they make sense to today’s sensibilities. And do I ever look forward to scenes shot in San Francisco with a 1970s look!

Not everyone knows that, after the first four books were serialized in the Chronicle, Maupin became irritated with the Chronicle’s editors. My old colleague at the Examiner, managing editor Pamela Brunger Scott, poached Maupin over to the Examiner, and the Examiner serialized book 5, Significant Others. After that, the Chronicle poached him back.

To me, this is huge, because the books are so dated that they make little sense to today’s young people. Because the stories seem dated now, some important history — both the history of a literature and the history of a people — was at risk of being lost. In a way, I suppose it’s good that young people no longer can relate, because it shows how much things have changed in the last 40 years. But how things used to be is something that must not ever be forgotten. These are stories which changed many people’s lives, and which changed the world.

1. Tales of the City (1978)
2. More Tales of the City (1980)
3. Further Tales of the City (1982)
4. Babycakes (1984)
5. Significant Others (1987)
6. Sure of You (1989)
7. Michael Tolliver Lives (2007)
8. Mary Ann in Autumn (2010)
9. The Days of Anna Madrigal (2014)


Thomas Gibson, Paul Gross, and Laura Linney


Armistead Maupin in the San Francisco Chronicle newsroom

The importance of hugging trees



The Hidden Life of Trees: What They Feel, How They Communicate, by Peter Wohlleben. Greystone Books, 2016, 272 pages.


This book got a lot of attention when it was published in German, in 2015, as Das geheime Leben der Bäume. Luckily we had to wait only a year for an English translation.

Though I believe that Wohlleben’s message about trees is well grounded in science and research, much of it also comes from his experience as a forester. It’s sometimes difficult to know just how metaphorical Wohlleben intends to be — for example, when he speaks of trees feeling pain, or of their experience or their character. But he is quite convincing: There is such a thing as tree behavior. If you observe tree behavior, then you must keep in mind that tree behavior is slow and requires years of observation, even if you do something brutal to a tree such as cut off a large limb or tear off some skin. In talking about the character of trees, he points out that individual trees (though the trees may be closely related genetically) may respond very differently to threats such as drought or an infestation of insects or fungus. It is as though individual trees make different judgments about when to start conserving water, or when to drop their leaves.

One of the most fascinating things that Wohlleben tells us about trees is the reach and power of their underground network, which involves not only the trees’ roots but also the mycelia of the many fungi that live underground in cooperation with the trees. This network can transmit messages about the forest environment (though slowly). And trees exchange water and nutrients with each other. Old trees “nurse” their offspring through their roots. Surviving trees sometimes keep the stumps of dead friends alive for many years. Sick trees get help from healthier neighbors. This altruism of trees makes sense, because all trees in a forest work together to preserve the forest environment — a canopy that catches 97 percent of the light, and where underneath the canopy everything is dark, moist, and friendly to fungi.

Wohlleben will leave you quite convinced that trees are sentient and intelligent in many ways, ways that are particular and appropriate to trees and their long lives (if left alone). Wohlleben also helps us understand how cruelly and stupidly we treat our trees and forests and the risks this poses to our ecosystems.

This book now takes its place among the works of other writers and thinkers who are leading us to what I believe is inevitable, assuming that we don’t destroy our planet. That is that all living things have natural rights, and that these rights must be protected by law.

This book is a must read.

Location, location, location



⬆︎ Gragg, North Carolina, with Grandfather Mountain (altitude 5,945 feet) in the background


If you’re shooting a movie, shooting on location costs a lot of money. But if you’re writing a novel, good locations cost nothing. The author is limited only by what he can imagine and describe.

As a rule, I like for the locations in my novels to be places that I actually have been to and seen. Book 1 of the Ursa Major series, Fugue in Ursa Major, mostly because the story is just getting started, doesn’t stray very far from Phaedrus’ cottage in the Appalachian backwoods — places such as Charlottesville, Washington, and the national forests of West Virginia.

Book 2, Oratorio in Ursa Major, travels much farther — the coast and highlands of Scotland, an oil rig in the north sea, and an enormous space ship in deep space billions of miles from earth.

Book 3, Symphony in Ursa Major, which is in progress and which I plan to release next year, will get deeper into the Appalachians and will return to Charlottesville and Washington. But we’ll also go to London for some scenes at Westminster, and we’ll also go to New Delhi. And we’ll get even deeper into space and learn much more about galactic history and politics when we visit the galactic capital.

Back in the 1980s, on my first trip to London, my Welsh friend in London, who was a lawyer and policy wonk, wanted to impress me, so he requested tickets from his member of Parliament to visit Parliament on the prime minister’s question day. The prime minister was Margaret Thatcher. The tickets were for the sergeant-at-arms’ private box. So I have seen a good bit of Westminster, including of course the greatest abbey in the world, Westminster Abbey. And I’ve heard Margaret Thatcher getting rough with the opposition in the House of Commons. In my archives, I have a copy of the Times of London from the next day, which includes a story on what Thatcher was asked and what she said.

I was in Delhi in 1994, and though I have not seen the government buildings in Delhi, I’ve seen plenty of Delhi’s streets and markets including, of course, Connaught Place.

In Oratorio in Ursa Major, there is a brief visit to the place I call the Pisgah abbey. In Book 3, we’ll return to the Pisgah abbey. This place is deep in the Pisgah National Forest of western North Carolina. The abbey is imagined, but the location is real. I searched out the location using Google Earth. I was looking for a small clearing in a deep valley, surrounded by high mountains. I wanted a location reachable only by winding, treacherous roads. I settled on Gragg, North Carolina.

On a trip to Asheville last weekend, I went to Gragg. The place is so remote that GPS cannot be trusted. At one point, GPS wanted me to turn left on a nonexistent road that would have sent me crashing down a forested mountainside. But I finally found a way into Gragg by going to the little town of Linville. From Linville, GPS gave me a route down into Gragg on roads that actually existed. The road — narrow and unpaved with lots of one-lane bridges — looped and wound down a mountainside and gave up about a thousand feet of altitude in five miles. There is a small settlement of people at Gragg and even a small lake. Gragg seems to possess the only fairly flat parcel of land for many miles. The road to Gragg is so steep that, when I climbed back up toward Linville, my little Smart car stayed in 2nd gear (of five) for almost the entire drive.

Writers and readers know how important a story’s settings are. Writers and readers also know that, for some reason, stories just work better when the plot moves characters from place to place. When characters are in the middle of nowhere, the author is probably exploring the characters’ inner lives, their motivations, and their inner obstacles. But if the story deals with larger, planetary issues, then you can expect the characters to show up in places where planetary power is concentrated. In Symphony in Ursa Major, that will be Washington, London, and Delhi.

Many writers (and films) have imagined what a galactic capital might look like. In Symphony, I’ll have my go at that.


⬆︎ A resident of Gragg, with his hoe.


⬆︎ The Blue Ridge Parkway, one of my favorite roadways in the world.


⬆︎ Gragg viewed in Google Earth


⬆︎ Westminster

The search for a lost heritage



Ireland’s Immortals: A History of the Gods of Irish Myth, by Mark Williams, Princeton University Press, 2016. 578 pages.


Like many people who have worked hard to understand how our Celtic ancestors lived, I regularly grapple with a smoldering fury. No matter what thread to the past we try to follow, we find it broken. “Broken” is too weak a word. The thread wasn’t merely snipped cleanly in two. Entire centuries have been deliberately hacked from the record and have been lost to us. We owe a huge debt to scholars such as Mark Williams who spend their lifetimes trying to reconnect the threads.

From genetic testing, because I carry the genetic marker for the Uí Néill family (carefully studied because it’s a royal genetic marker and is common in Ireland), it can be said with high confidence that my ancestors were in Ireland (probably the north of Ireland) before Patrick. For that reason, I take very personally the cultural catastrophe that the church brought to Ireland.

In this book, Williams brings us up to date on what scholars of the written record can tell us about pre-Christian Irish history, insofar as Irish history can be deduced by studying the rich body of Irish literature that was produced from around 500 to 1400 A.D. The catch, though, is that this literature was produced in the church’s monasteries, in the centuries after Patrick. Though surely the literature contains some older, pre-Christian elements, no clear or consistent picture of the past can be reconstructed from it. The stories are muddled, often contradictory, and they have been polluted with Christian allegory and snippets that appear to have come from Bible stories. And obviously, for someone who was writing in, say, 1200 A.D., the trail had gone cold, because the Christian subjugation of Ireland was well under way by 500 A.D.

Like it or not, that’s where things stand. The Celtic people of Western Europe know next to nothing about their pre-Roman past because the Celtic past was systemically expunged and can be glimpsed now only through a Christian fog. Williams acknowledges that those of us who make an effort to reconstruct the Celtic past have no choice but to speculate. Williams seems to respect that speculation, but he wants the speculation to be grounded in a scholarship that is up to date.

He mentions a movement that began in the 1980s that he calls Celtic Reconstructionism. “Celtic Reconstructionists,” writes Williams, “have tended to ally subjective feelings with thoughtful investigations of the writings of classical authors, archaeology, and comparative Indo-European mythology.” That’s pretty much my method, so I suppose I am a Celtic Reconstructionist. Most reconstructionists, I think, are searching for a religious practice with which to replace the poverty of Christian theology. My purpose, on the other hand, is to make use of the Celtic past in my novels and to encourage people to think about how the world would be very different without the imperial Roman religion, which was imported from a little cult in the Middle East and which is based on very thin and very silly texts. In his notes, Williams even includes a link to the web site of a Celtic Reconstructionist in Scotland whose work he clearly respects. Here’s the link, for those who might like to follow up: Tairis: A Gaelic Polytheistic web site.

An abbey literary update



Ken’s third book, This Land Is Our Land, has been in the final editing stages here at the abbey and is due at the publisher, Penguin Random House, next week. The book is scheduled for release in March 2018.

When the idea for this book was hatched last April, Ken was here at the abbey, traveling through on book tour for his second book. He had just published a piece in the New York Times, This Is Our Country. Let’s Walk It. After that piece was published, it was apparent that Ken had become the honorary owner of a “right to roam” movement in the United States and that a book on the subject was needed. Ken had no trouble at all selling his agent and his publisher on the idea, and in no time he had a contract to write the book.

A year ago, I would have assumed that this book would be a fairly bland and somewhat academic — but necessary — reference book for a new movement in need of a manifesto. But having read the manuscript twice during the past two weeks, I was reminded how Ken’s books always exceed my high expectations. It’s not just his superb research and the charm of his writing that make This Land Is Our Land such a good book. It’s also the way he surprises me, when I finally see the manuscript, with how deeply he delves and how high he flies, even though I was in on discussions about the book from the beginning. Though this book’s topic is seemingly narrow, Ken also has produced an incisive snapshot of contemporary American culture through the lens of our attitudes toward the land. And he has laid out a lion-hearted vision of a future America that is less insular and more benevolent.

If you’re not certain what a “right to roam” is, I’d suggest the New York Times link above. It’s not as radical a right as you might think. The people of England, Wales, Scotland, and Sweden have generous roaming rights, and even countries such as Lithuania and Latvia are far ahead of the United States with the right to roam.

This Land Is Our Land will be the fifth book to be born here at the abbey during the last four years. Ken’s other two books are Walden on Wheels (2013), and Trespassing Across America (2016). There also are my novels Fugue in Ursa Major (2014) and Oratorio in Ursa Major (2016). Symphony in Ursa Major is in progress and should be out next year.

Trespassing Across America now in paperback

Ken’s second book, Trespassing Across America, was published last year in hardback. The paperback version was released yesterday. It’s available at Amazon and at most bookstores.

One of the abbey’s bookshelves is reserved for the abbey’s own output. It will grow next year with the publication of Ken’s third book, This Land Is Our Land, which is about the right to roam (or the absence of the right to roam) in America. I also plan to release next year the third novel in the Ursa Major series, Symphony in Ursa Major.


Ken’s box of complimentary paperback books from his publisher